Monday, 8 September 2008

Common Reaction

OH dear, that name. Uh Huh Her may be meant as a tribute to a PJ Harvey album.


But�it ranks with Wa Wa Nee, Koo De Tah and Goo Goo Dolls as a band you can't discuss without cringing.


That's a shame, because the Los Angeles duo, female singer-keyboardists who are supported on this album with guitars and drums, present superb synth-pop that deserves a big audience.


It's a mark of their talent that their debut album is produced by Al Clay, whose credits include Blur, Pink, Stereophonics and the Boo Radleys.


On Not a Love Song and Wait Another Day Uh Huh Her serve up exquisite vocals and dance beats that merge the rich harmonies of the Corrs and the Delays with the deep, burning moods of Lush and Silversun Pickups.


Explode breathes a sleepy sexiness and Everyone soars with the help of a plunking harp - synthesised, doubtlessly.

Away From Here oozes the languid romance of the Cardigans, while Dance With Me packs the punch of the Veronicas. An album that bursts with vitality and talent.







More info

Friday, 29 August 2008

Download Bill Bruford mp3






Bill Bruford
   

Artist: Bill Bruford: mp3 download


   Genre(s): 

Rock
Jazz

   







Discography:


One of a Kind
   

 One of a Kind

   Year: 1990   

Tracks: 10
The Bruford Tapes
   

 The Bruford Tapes

   Year: 1979   

Tracks: 9
Bruford Tapes
   

 Bruford Tapes

   Year: 1979   

Tracks: 9
Feels Good To Me
   

 Feels Good To Me

   Year: 1977   

Tracks: 10






Bill Bruford's vocation is like his drumming sound -- inimitable. Known for his ringing metal snare drum, nippy cymbal turn, and hang for complex time signatures, a young Bruford came to prominence in the late '60s with Yes. The drummer completed his British art stone trilogy by in short connectedness Genesis in the 1970s and outgo a quarter-century with King Crimson through the belated '90s. In 'tween King Crimson dates, Bruford lED a glaring self-titled jazz fusion solo band from 1978 to 1980 that featured guitar player Allan Holdsworth, bassist Jeff Berlin, and keyboardist Dave Stewart. And tied as he leads his illusionist jazz band, Bill Bruford's Earthworks, he maintains a life history as a academic term drummer (with artists like guitarists Al DiMeola and David Torn, bassist Jamaaladeen Tacuma, and keyboardist Patrick Moraz).


During one of King Crimson drawing card Robert Fripp's several lineup-shifting hiatuses in Bruford's 1972-1997 land tenure, the drummer formed his self-titled Earthworks dance band in 1986. On its 1987 Earthworks debut album, Bruford often used electric Simmons drums to contrast acoustic french horn players Iain Ballamy and Django Bates and erect bassist Mick Hutton, achieving the polar of the monetary standard card where drums ar the entirely acoustic instrument. Subsequent releases like 1989's Dig out? and 1991's All Heaven Broke Loose continued this forward-thinking trend, blend acoustic and electric instrumentation and loose words ideology with unequivocal undertones. But by 1993's live Stamping Ground, Bruford had replaced Hutton with electric/acoustic bassist Tim Harries and was using keyboard-pitched electrical chordal drums, the combined resultant role macrocosm a more hefty and melville Weston Fuller good.


Bruford continued recording and touring with King Crimson through 1997, releasing the Earthworks compiling Heavenly Bodies just as he depart the venerable john Rock isthmus with which he'd had his longest land tenure. It would evidence to be a transitional year, as Bruford recorded a idle words chamber trio solo CD called If Summer Had Its Ghosts with legendary idle words figures Ralph Towner (guitar/piano) and Eddie Gomez (acoustic bass part). Between explorative electrical recordings with bassist and colleague King Crimson alum Tony Levin, Bruford kept Earthworks finisher to the chamber jazz modal value on the 1999 CD A Part and Yet Apart. Likewise, the lineup of Bruford, saxist Patrick Clahar, piano player Steve Hamilton, and bassist Mark Hodgson started the new millenary with the 2001 CD The Sound of Surprise, an spectacular blend of jazz tradition and forward-thinking changeover.






Tuesday, 19 August 2008

Travis' Fran Healy loses wedding ring at V Festival

Travis were forced to halt their set at Chelmsford's V Festival this evening (August 17) after frontman Fran Healy lost his wedding ring.


The closed chain was lost during the group's acoustic version of their hit 'Flowers In The Window'.


Partway through the song, Healy stopped singing and told the crowd: "Hold on, hold on, I just now dropped my wedding ring � it's like 'Lord Of The Rings'!"


However, he quickly plant the halo and continued with the track, to great applause from the audience in the JJB Arena.


As well as playacting their biggest hit singles, including 'Writing To Reach You' and 'Sing', Travis debuted trey new songs from soon-to-be released raw album 'Ode To J Smith', and two unknown tracks.


Before 2007 single 'Closer', Healy aforesaid: "We're going to kind of offset the rock with some acoustic balladeering."


The band all over their set with 'Turn' and 'Why Does It Always Rain On Me?', two singles from their 1999 album 'The Man Who'.

Travis played:

'Selfish Jean'

'Writing To Reach You'

'Side'

'J. Smith'

'(Untitled New Song)'

'(Untitled New Song)'

'Closer'

'Sing'

'Flowers In The Window'

'All I Want To Do Is Rock'

'Turn'

'Why Does It Always Rain On Me?'



Keep checking NME.COM for the modish news, pictures, videos and blogs live from both V Festival Chelmsford and V Festival Staffordshire all weekend.



More info

Saturday, 9 August 2008

Ted Heath

Ted Heath   
Artist: Ted Heath

   Genre(s): 
Easy Listening
   



Discography:


Big Band Percussion: Beatles, Bach and Bacharach   
 Big Band Percussion: Beatles, Bach and Bacharach

   Year: 2007   
Tracks: 12




Ted Heath was nonpareil and only of the most renowned big banding leaders in Great Britain of the 1950's. His bands played modernized get around out euphony that was constantly danceable simply at times had worthwhile solos played in the custom. Heath started kO'd performing tenor cornet ahead he switched to trombone when he was 14. He fatigued a period of time playing as a street musician and and then was observed by Jack Hylton wHO leased him for his dancing orchestra. Heath had long stints as a sideman with a kind of crest dance bands including Bert Firman (1924-25), Hylton once more (1925-27), Ambrose (1928-36), Sydney Lipton (1936-39) and Geraldo (1939-44). Heath began leading his possess swelled band in 1944 and, through regular appearances on the receiving set, tours and concerts, he shortly became a family list in England. The innovations of bop were largely neglected in favour of playing swing-oriented charts although some of Heath's soloists (peculiarly Ronnie Scott, Danny Moss, Don Rendell and Kenny Baker) became noteworthy as jazz players. Ted Heath, whose band was always of high musicianship and exploited "Mind To The Music" as its theme song, as well became well-known in the United States, visiting the U.S. several times starting in 1956. His orchestra recorded quite ofttimes starting in 1944 (by and large for Decca and London) including 10 albums in 1959 alone. Even subsequently Ted Heath's death in 1969, the big isthmus continued performing and recording with a live concert cut as late as 1977.






Tuesday, 1 July 2008

Stella Maris

Stella Maris   
Artist: Stella Maris

   Genre(s): 
New Age
   



Discography:


Stella Maris   
 Stella Maris

   Year: 1999   
Tracks: 11




 





F.S. Blumm

Wednesday, 25 June 2008

Tequila 100 Anos(TM) Celebrates Mexico in '100 Years of Mexican Music'

Tequila 100 Anos(TM) revive Mexican culture in Chicago with a photo exhibit
with the most important figures of Mexican music from the last century

DEERFIELD, Ill., June 24 -- The exhibit "100 Years of
Mexican Music", sponsored by Tequila 100 Anos(TM), continues to celebrate
Mexico and its music with a unique exhibit that gathers singers,
songwriters, and performers who contributed to make memories and leave a
footprint on both Mexico's history and world history. Beginning June 24,
adult, legal purchase age Latinos in Chicago will enjoy a free historic
tour where talent and a love for Mexico -- values shared by both Mexican
music and Tequila, the most popular Mexican drink -- meet.

"The '100 Years of Mexican Music' exhibit comes to Chicago after its
Houston success that attracted personalities from the General Consulate of
Mexico, politicians representatives, teachers, entrepreneurs, etc. We are
proud to bring to the city a valuable exhibit that represents the immensely
rich Mexican culture that -- just like Tequila 100 Anos -- is inspired by
its roots and created with the passion and dedication of its people. It's a
way to show our gratitude to the community together with Tequila 100 Anos
which -- along with Mexican music had acquired a traditional value
recognized by Mexicans around the country," says Antonio Portillo, Brand
Manager for Tequila 100 Anos.

Embracing the unique atmosphere of 1907 to 2007, original pictures of
performers such as Agustin Lara, Pedro Infante, Lola Beltran, Los Lobos,
Angelica Maria, among others, will be on exhibit for one month, beginning
June 24 in Chicago; and July 30 in Los Angeles.

"This is a unique opportunity in Chicago so its residents can learn and
appreciate closely the cultural richness of the country represented by its
more representative artists from diverse music genres," says Steven Loza,
Professor of Ethnomusicology at UCLA, Adjunct Professor of Music at the
University of New Mexico, and curator and spokesman of the exhibition.

"100 Years of Mexican Music" may be appreciated at the Ford City Mall
in Chicago, Ill; and in Los Angeles, Calif. at Plaza Mexico.

About Tequila 100 Anos(TM)

Tequila 100 Anos(TM) was created to celebrate the 20th century at
Hacienda La Perseverancia, in Tequila, Jalisco, Mexico; to toast to the new
and exciting moments that the new century would bring, and to renew the joy
and hope of Mexican people. Tequila 100 Anos has always been manufactured
with the best agave, with special attention to the artisanal elements that
characterize the brand. Besides its great taste, 100 Anos features other
unique elements, such as its unique handcrafted bottle, ornamental rounded
edges, to reflect some of the inherent values of the Mexican culture. Today
there are three different varieties: Blanco 51%, Reposado 51% and Reposado
100% Agave, offered in different sizes, 375ml, 750ml and 1.75L, and in July
of this year, Reposado 1L 100% Agave.

About Beam Global Spirits & Wine

Inspiring conversations around the world, Beam Global Spirits & Wine,
Inc., is building brands people want to talk about. Consumers from all
corners of the globe call for our brands, including Jim Beam(R) Bourbon,
Sauza(R) Tequila, Canadian Club(R) Whisky, Courvoisier(R) Cognac, Maker's
Mark(R) Bourbon, Laphroaig(R) Scotch Whisky, Larios(R) Gin, Whisky DYC(R),
Teacher's(R) Scotch Whisky, DeKuyper(R) Cordials and Liqueurs, Knob
Creek(R) Bourbon and Starbucks(TM) Liqueurs. Beam Global Spirits & Wine is
part of Fortune Brands, Inc. (NYSE: FO), a leading consumer brands company
with annual sales exceeding $8 billion. For more information on Beam Global
Spirits & Wine, its brands, and its commitment to social responsibility,
please visit http://www.beamglobal.com and http://www.drinksmart.com .


Drink Responsibly.

Sauza(R) 100 Anos Tequilas. 40% alc./vol. (C)2008 Sauza Tequila Import
Company, Deerfield, IL

Media Contact:
Melissa Rincon
Ketchum for 100 Anos
(404) 879-9163



See Also

Tuesday, 24 June 2008

Tatum O'Neal arrested on drug charge

By Edith Honan


NEW YORK (Reuters) - Oscar-winner Tatum O'Neal, the former
child actress who chronicled her struggles with addiction in a
2004 memoir, has been arrested on suspicion of buying drugs on
the streets of New York City.


A judge released her on her own recognizance on Monday
after she spent the night in jail and she was ordered to return
on July 28. O'Neal, 44, appeared without makeup, her hair tied
into a messy bun, wearing a black tank top and black pants.


O'Neal, who was charged with criminal possession of a
controlled substance, rejected a deal that would have sentenced
her to a two-day drug treatment program in exchange for a
guilty plea for disorderly conduct, prosecutors said.


She will enter a plea at her July court date.


The New York Daily News reported she was caught buying
crack cocaine from a homeless street vendor on Sunday night
three blocks from her home.


A police spokesman said she was seen buying a controlled
substance from a man in Manhattan's Lower East Side, once a
crime-infested neighborhood that has become trendy.


O'Neal's publicist declined to comment and her lawyer left
the courtroom without speaking to reporters.


The Daily News, citing unnamed police sources, reported
that O'Neal first told police she was "doing research for a
part" and changed her story after police searched her and found
a bag of crack, a bag of regular cocaine and an unused crack
pipe.