Download Bill Bruford mp3

Artist: Bill Bruford: mp3 download    Genre(s):  Rock Jazz     Discography:      One of a Kind    Year: 1990    Tracks: 10      The Bruford Tapes    Year: 1979    Tracks: 9      Bruford Tapes    Year: 1979    Tracks: 9      Feels Good To Me    Year: 1977    Tracks: 10 Bill Bruford's vocation is like his drumming sound -- inimitable. Known for his ringing metal snare drum, nippy cymbal turn, and hang for complex time signatures, a young Bruford came to prominence in the late '60s with Yes. The drummer completed his British art stone trilogy by in short connectedness Genesis in the 1970s and outgo a quarter-century with King Crimson through the belated '90s. In 'tween King Crimson dates, Bruford lED a glaring self-titled jazz fusion solo band from 1978 to 1980 that featured guitar player Allan Holdsworth, bassist Jeff Berlin, and keyboardist Dave Stewart. And tied as he leads his illusionist jazz band, Bill Bruford's Earthworks, he maintains a life history as a academic term drummer (with artists like guitarists Al DiMeola and David Torn, bassist Jamaaladeen Tacuma, and keyboardist Patrick Moraz). During one of King Crimson drawing card Robert Fripp's several lineup-shifting hiatuses in Bruford's 1972-1997 land tenure, the drummer formed his self-titled Earthworks dance band in 1986. On its 1987 Earthworks debut album, Bruford often used electric Simmons drums to contrast acoustic french horn players Iain Ballamy and Django Bates and erect bassist Mick Hutton, achieving the polar of the monetary standard card where drums ar the entirely acoustic instrument. Subsequent releases like 1989's Dig out? and 1991's All Heaven Broke Loose continued this forward-thinking trend, blend acoustic and electric instrumentation and loose words ideology with unequivocal undertones. But by 1993's live Stamping Ground, Bruford had replaced Hutton with electric/acoustic bassist Tim Harries and was using keyboard-pitched electrical chordal drums, the combined resultant role macrocosm a more hefty and melville Weston Fuller good. Bruford continued recording and touring with King Crimson through 1997, releasing the Earthworks compiling Heavenly Bodies just as he depart the venerable john Rock isthmus with which he'd had his longest land tenure. It would evidence to be a transitional year, as Bruford recorded a idle words chamber trio solo CD called If Summer Had Its Ghosts with legendary idle words figures Ralph Towner (guitar/piano) and Eddie Gomez (acoustic bass part). Between explorative electrical recordings with bassist and colleague King Crimson alum Tony Levin, Bruford kept Earthworks finisher to the chamber jazz modal value on the 1999 CD A Part and Yet Apart. Likewise, the lineup of Bruford, saxist Patrick Clahar, piano player Steve Hamilton, and bassist Mark Hodgson started the new millenary with the 2001 CD The Sound of Surprise, an spectacular blend of jazz tradition and forward-thinking changeover.

Travis' Fran Healy loses wedding ring at V Festival

Travis were forced to halt their set at Chelmsford's V Festival this evening (August 17) after frontman Fran Healy lost his wedding ring.


The closed chain was lost during the group's acoustic version of their hit 'Flowers In The Window'.


Partway through the song, Healy stopped singing and told the crowd: "Hold on, hold on, I just now dropped my wedding ring � it's like 'Lord Of The Rings'!"


However, he quickly plant the halo and continued with the track, to great applause from the audience in the JJB Arena.


As well as playacting their biggest hit singles, including 'Writing To Reach You' and 'Sing', Travis debuted trey new songs from soon-to-be released raw album 'Ode To J Smith', and two unknown tracks.


Before 2007 single 'Closer', Healy aforesaid: "We're going to kind of offset the rock with some acoustic balladeering."


The band all over their set with 'Turn' and 'Why Does It Always Rain On Me?', two singles from their 1999 album 'The Man Who'.

Travis played:

'Selfish Jean'

'Writing To Reach You'

'Side'

'J. Smith'

'(Untitled New Song)'

'(Untitled New Song)'

'Closer'

'Sing'

'Flowers In The Window'

'All I Want To Do Is Rock'

'Turn'

'Why Does It Always Rain On Me?'


Keep checking NME.COM for the modish news, pictures, videos and blogs live from both V Festival Chelmsford and V Festival Staffordshire all weekend.



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Ted Heath

   
Artist: Ted Heath

   Genre(s): 
Easy Listening
   

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Discography:


   
 Big Band Percussion: Beatles, Bach and Bacharach

   Year: 2007   
Tracks: 12

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Ted Heath was nonpareil and only of the most renowned big banding leaders in Great Britain of the 1950's. His bands played modernized get around out euphony that was constantly danceable simply at times had worthwhile solos played in the custom. Heath started kO'd performing tenor cornet ahead he switched to trombone when he was 14. He fatigued a period of time playing as a street musician and and then was observed by Jack Hylton wHO leased him for his dancing orchestra. Heath had long stints as a sideman with a kind of crest dance bands including Bert Firman (1924-25), Hylton once more (1925-27), Ambrose (1928-36), Sydney Lipton (1936-39) and Geraldo (1939-44). Heath began leading his possess swelled band in 1944 and, through regular appearances on the receiving set, tours and concerts, he shortly became a family list in England. The innovations of bop were largely neglected in favour of playing swing-oriented charts although some of Heath's soloists (peculiarly Ronnie Scott, Danny Moss, Don Rendell and Kenny Baker) became noteworthy as jazz players. Ted Heath, whose band was always of high musicianship and exploited "Mind To The Music" as its theme song, as well became well-known in the United States, visiting the U.S. several times starting in 1956. His orchestra recorded quite ofttimes starting in 1944 (by and large for Decca and London) including 10 albums in 1959 alone. Even subsequently Ted Heath's death in 1969, the big isthmus continued performing and recording with a live concert cut as late as 1977.